About

ROSECODE

ROSECODE is an interactive multimedia experience unlike any other.

Part SF adventure, part mystery to be unlocked, the story rewards the curious seeker. Revisit ROSECODE and each time you will find new clues and meet new characters with their own secrets and hidden motives. Spanning two and a half future centuries, the story is epic in a way that few recent literary projects have dared to be.

But ROSECODE is more than that.

What if creative projects worked the same way as open source software?

Every science fiction fan is familiar with the concept of "franchises." Marvel, DC, Star Wars, Battlestar Galactica. Take your pick. These are our modern myths—the stories we return to again and again.

But they are not ours. A giant corporation can, if it wishes, sue you for your choice of Halloween costume. You may attend conventions or write fan fiction, but in the end your work belongs to someone else.

ROSECODE uses the power of Creative Commons licensing to forge a new paradigm: a shared mythos, a consensual creative universe where anyone is free to invent, tell stories, build games, or film a movie—for fun or for profit. What if you and your collaborators had a built-in audience for new work, and a built-in cast of characters?

The Open Creative Franchise model pioneered by ROSECODE is a new economic framework that rewards creators for the true economic value of their work.

news

ROSECODE

Linuxfest Northwest 2018

We were honored to present on the topic of ROSECODE's Open Franchise for Creators (OFC): a new, libre model for collaborative projects at Linuxfest Northwest on April 29 in Bellingham, WA.

View the slides here.

News Coverage

Bitcoin Wiki.    "Rosecode"

Hacker Noon.    "Why Code Makes Money, Not Content."

Startup Radius.    "ICO: RoseCode Is An Interactive Cyberpunk Thriller"

Bitcoin Exchange Guide.    "RoseCode – Interactive Cyberpunk Game, Book & Movie?"

TokenMarket.    "RoseCode (ROSECOIN)"

 

ROSECODE on Social Media

 

For media inquiries,

 

Crowdsale

On October 4, 2017, ROSECODE released an unprecedented "indie ICO" to fund a modest independent arts project. The ROSECODE Initial Coin Offering was listed through well-recognized, fee-free services such as TokenMarket and received enthusiastic media coverage.

While the concept of an arts ICO is very new, we are encouraged by the response to date; in particular the large amount of traffic the site has been receiving through word of mouth. We believe emphatically that it is no more and no less important that artists and storytellers be paid for their time than programmers. We are looking at a variety of models to monetize the project so that we may continue work on the story—including but not limited to client-side mining in combination with a ROSECOIN fountain. Look for a detailed fountain spec document on Github in the not-too-distant future.

Project benchmarks:

  • $80,000 - Complete the ROSECODE story in novel form, available as a Creative Commons licensed e-book. Special bonus content and features will be available to token holders in a members-only area of the ROSECODE site.
  • $250,000 - Release the ROSECODE story in game form, under a Creative Commons license permitting future non-commercial derivative works. Should you have an interest in developing a specific idea related to the game portion of this project, we urge you to as soon as possible, as we are already beginning to roadmap planning and priorities for next year.
  • $3 Million - Release the ROSECODE story in movie form under a Creative Commons license perpetually permitting commercial and non-commercial derivative works in any medium. To put it simply, this means that after our work is licensed, Disney could produce their own film version based on ROSECODE without asking our permission. So could Studio Ghibli. So could you.
  • The best reason of all to buy a ROSECOIN token is because you want to read the e-book and find out what happens next. Funds go to compensate artists, writers, designers, and programmers. Each tier of succesful funding helps us plan the next. Purchase ROSECOIN (RSC) tokens to help us meet our goals and take this project to the next level.

    You may purchase coin through the OmniDex exchange.

    How is this different from traditional crowdfunding?

    Traditional crowdfunding tends to focus either on a specific deliverable (Kickstarter) or on maintaining a basic living standard for a single artist (Patreon). We recognize that the vast majority of modern media is produced by teams of people rather than by a single lone artistic genius, and that any project worth supporting is likely to spawn... sequels worth supporting! We feel that the tech boom and in particular, the FOSS model has some valuable lessons to impart.

    We envision a future where all cultural creatives have access to the same ecosystems of open intellectual property that have so richly benefited the tech world. Our funding goals align with the standards of Hollywood and other ICO funded media and gaming ventures. The difference is that when we meet our goals, what we build belongs to everyone.

    Benefits for Artists

    Traditionally, artists and writers see very little of the proceeds from the ideas they bring to life. They are encouraged to sell electronic and subsdiary rights early on, for pennies on the dollar. An open franchise structure helps creators stay involved with their projects, and recognizes the economic value of their authorship. The Open Creative Franchise model helps us gauge demand and find the right collaborators and partners sooner rather than later.

    FAQ

    ROSECODE

    Is ROSECODE a game?
    Not exactly.

    Well, what's the point?
    To make a lot of money and help save the world. What else?

    That's all you can tell me?
    Read the story once, then return to it. You may find more there than you remember.

    Why so cryptic?
    Perhaps you have noticed that the title of the story has the word CODE in it...

    What is The Girl's real name?
    Read the story.

    Is the Consensus good or evil?
    You'll find out.

    Who blew up St. Elizabeth's Hospital?
    You'll find out.

    Are you going to resolve the cliffhangers in the story?
    Yes. All of them.

    Would you microchip your kids to help them get into college?
    Hell, no. But my neighbors might.

    Why did you choose the Creative Commons License that you did?
    We chose the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. We opted for a comparatively restrictive license, because it needs to cover the client-side code of the project as well as the text. As ROSECODE evolves we will create new works under different types of licenses.

    Do you have any connection to the Rosecode Math and Programming Challenge Website?
    No. But they seem like nice folks doing interesting work.

    What is your contact information?
    Legal, financial, and creative questions should be directed to

    Technical inquiries are best answered through the Github account.

     

     

     

     

    <###> Where are we?

    <U+1F339> Tim, I am so sorry.

    <###> Why?

    <U+1F339> If you don’t know that...

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

    Part One

    MEMENTO MORI

     

     

     

     

     

     

     

     

    Some years earlier

     

    “What are you drinking?”

    “Bulleit.”

    “Hipster.”

    “And you ordered Basil Hayden? Can you even spell that? That’s pretentious as fuck."

    “It’s not the best there is, but it’s close.”

    “You know I love you, man.”

    “Save your bromance for the next round, bro. And you’re buying.”

    “You think I’m buying you top shelf liquor? No way, bro. I had to buy Eileen drugstore candy for Valentine’s Day.”

    “The kind that comes in a big red shiny heart-shaped box? And then you break a tooth when you bite into one?”

    “You got it.”

    “Women don’t care about that shit. They just want to know that you remember.”

    “I dunno. I think she was expecting a ring in that heart-shaped box.”

    “Next time you have sex, you go down on her first. All will be well.”

    “I don’t think it’s quite that simple.”

    “So what’s your money problem, anyway?”

    “They cancelled it.”

    “What? Not the documentary?”

    “Yes, the documentary.”

    “Ghost Girl?”

    “Yeah, Ghost Girl.”

    “Not Ghost Girl!”

    “They dropped it.”

    “But why?”

    “Very unclear. They said it had something to do with trademark infringement.”

    “But you had everything lined up. The interviews with gamers, the motion captures, everything... you were gonna prove that she existed.”

    “I know, right?”

    “So what—did somebody beat you to the story?”

    “No.”

    “What, then?”

    “It’s just weird. We’d already signed the deal with the network, right?”

    “Yeah, yeah, I know.”

    “So they came back to us, and they said, they don’t want to do the story because of, get this, trademark violations. And we’d already signed the contract—they were co-producing—so they owned the rights to the story. All our footage, all our sources, all our original material... under lock and key. They just deleted the files, right out from under us.”

    “Why would they do that?”

    “That’s what I don’t get. Because I looked up the trademark...”

    “And?”

    “And there’s nothing. ‘Ghost Girl’ was our internal name, remember. The gamers just called her ‘The Girl.’ We were going to call our documentary The Girl in the Machine.

    “Yeah, I remember.”

    “But I looked it up. Looked up all of those names. And there was nothing. ‘Ghost Girl’ was a Tim Burton wannabe franchise, launched around 2019. It tanked, sank without a trace. ‘The Girl’ is both—get this, a line of Texas-themed children’s dolls and storybooks...”

    “Why Texas?”

    “Why did Old Yeller have to die in the Disney movie? The fuck should I know?”

    “And naturally, the other trademark is for a line of high-end, extremely realistic sex dolls.”

    “Figures.”

    “Nothing current. Nothing in the media.”

    “And The Girl in the Machine?”

    “That was just our working title. We could have changed it. We were leaning toward The Girl in the Game.

    “That would have been good.”

    “But when we did the searches, nothing showed up under any of these. No flags, no competition in our industry. She didn’t have a name.

    “And they were calling it a trademark violation?”

    “That’s right.”

    “Whoa.”

    “I just don’t get it. We had eyewitnesses who had seen her, interacted with her. From all over the world. Ready to go on camera.”

    “I feel for ya, man. That was good shit. The kind you build a career on.”

    “And then they just pulled the plug. It doesn’t make any sense.”

    “So what, do you think it’s some kind of conspiracy?”

    “Hey, I didn’t say that.”

    “No really, you got money from them, right? A kill fee, anyway?”

    “You forget, I had to pay my crew.”

    “That sucks."

    "You're telling me."

    "But you did the right thing.”

    “I blew through the kill fee before we even got to Eileen’s Whitman Sampler box. Believe me, it wasn’t a lot. Should have gotten a better lawyer.”

    “I can help you with that. You need to talk to this guy I know, Henry Foz. He can help you not get screwed next time. Shit, maybe even this time. I’ll send you his contact...”

    “Naw, man. I just want to move on.”

    “For real? You put, like, two years of your life into this.”

    “For real. Anyway, I think I figured it out.”

    “Figured what out?”

    “There was no conspiracy. No hidden agenda.”

    “You don’t think so?”

    “There was just something coming up that I don’t know about. It’s a giant corporation, remember? And almost everything they do is media. Maybe it was a rival franchise. Maybe a new line of toys. Or a game release. And they had signed a deal to co-promote.”

    “You think?”

    “I don’t know what it was. But they had something in the wings, and somebody called a meeting I didn’t get invited to, and they decided we weren’t going to be part of it.”

    “Uh huh.”

    “No conspiracy. No black helicopters. That’s all there is.”

    “I admire that you can be so philosophical.”

    “Whatever, I just want to keep working.”

    “Hey, the next round’s on me.”

    “You don’t have to...”

    “Drink up.”

     

     

     

     

    Inside a narrow brick enclosure, a woman’s hand protrudes out of a dumpster marked with a biohazard symbol. A rat is nibbling away at her smallest finger. Two hospital orderlies walk up, on their smoking break. The rat continues munching, unperturbed.

    “Awww man, do you see that?”

    “I’m trying to get the image out my head right now.”

    “Remember Pizza Rat?”

    “Not really seeing the connection.”

    “It was this rat eating pizza that went viral on social media. The guy who filmed it got a shit ton of money.”

    “Oh no, you are not filming that.”

    “Why not?”

    “Could get us both fired, for one thing. Or even in jail.”

    “You worry too much. There are places on the Internet that cater to this type of thing exactly.”

    “I don’t even want to know how you know that.”

    “Shhhh. You scared it away.”

     

     

     

     

    “I’ll have a Jack and Coke.”

    “That’s a step down.”

    “Well, this bar isn’t what it used to be. Well drinks are the safest bet.”

    “That's fair. Why they had to put the VR Keno in, I don’t know.”

    “Yeah, have you seen that one old blond lady in there wearing the goggles? I swear to you, she is always in here.”

    “Don’t talk so loud. You’re embarrassing me.”

    “What are you drinking?”

    “Moscow Mule.”

    “Another one that’s hard to mess up. Smart move.”

    “Thank you.”

    “But kind of a girly drink.”

    “A Moscow Mule is not a girly drink.”

    “I know, I know. Just because women drink it and it tastes like candy...”

    “It has only three ingredients. A Moscow Mule is a timeless classic.”

    “Listen, man. I have zero problem with drinking a girly drink. Next round I’m ordering us both strawberry daiquiris. Just you watch.”

    “I’m allergic to strawberries.”

    “Peach?”

    “Whatever.”

    “Hey, don’t get all worked up. You’re about to be a dad for chrissake. It doesn’t get much more masculine than that.”

    “I think I’m freaking out.”

    “When is Eileen due?”

    “Late July. It’s gonna be a boy.”

    “Trust me, parenting is not rocket science. You’ll do fine.”

    “I’m just worried about money. I finally got an hourlong feature made... did I tell you about it?”

    “The one with the ice skaters?”

    “Yeah, that one. About how people are building ice skating rinks inside of abandoned coal mines in West Virginia.”

    “Very inspirational.”

    “Yeah, well at least this one got picked up.”

    “So?”

    “I just feel like I’m losing my artistic vision. Documentaries aren’t what they used to be. With the projects we’re pitching now it’s all about the bottom line. What’s relatable, what we can resell and in what market. Sponsorships, endorsements, product placement. It never ends. I didn’t get into this business to make car commercials.”

    “Everybody ends up making a car commercial at least once in their life.”

    “Once Trevor is born, there will be no going back.”

    “Trevor? Really?”

    “Eileen picked the name.”

    “You’re still bothered by the Ghost Girl, aren’t you?”

    “What?”

    “I can tell.”

    “Shut up.”

    “You’re friggin haunted by that project. By the fact that it never got made.”

    “It’s in the past. Best not to think about it.”

    “Hey, I always meant to ask you....”

    “What?”

    “What did she say? To all those people who think they saw her? She spoke, right? Did she say the same thing to all of them?”

    “You know, it’s strange.”

    “What?”

    “When I asked them what she said, they just got very quiet. They talked plenty about what she looked like and how she made them feel. But none of them would go on record as far as the actual conversation.”

    “Huh.”

    “It was almost like they were protecting her.”

    “That’s some spooky shit, man. You should go back to it.”

    “Do you know that in West Virginia, they have their own hybrid form of Roller Derby? Except underground, with hockey skates.”

    “That’s pretty crazy! Seriously, man, I did not know that.”

    “It’s less than three years old as an organized sport but it’s trending fast.”

    “Imagine that.”

    “You should see those hillbillies go crazy on the ice. Things get out of control. They all think that if they skate fast enough, with enough sequins and makeup, they’re gonna make it out.”

    “Can’t blame ‘em for trying, right?”

     

     

     

     

    The receptionist looks up from her semicircular island, and buzzes two men in gray suits out of the locked ward.

    “Agent Fabbro, did you find everything that you need?” she asks.

    She has hair curled like a poodle’s and lilac AR spectacles that coordinate perfectly with the pale purple lipstick frosting her nervous smile. A scrim of spreadsheet entries faintly halo her large, doe-like eyes.

    “We can set up more patient interviews if you like. It’s no trouble at all.”

    Fabbro looks in her direction for the briefest of intervals. “That won’t be necessary.”

    The receptionist hits a button on her console and the lenses of her spectacles suddenly clear. She blinks, just once, and clears her throat.

    “I want you to know, things here aren’t like they were back in the old days. We’ve made great strides. Our inmates now enjoy occupational therapy and plenty of outdoor recreation. Some are even able to integrate back into normal society.”

    The two agents turn away and walk briskly toward the swinging glass doors.

    “Would you like us to re-file all those boxes of paper records from the archives?” she shouts after them. “Are you done, or will you be back again?”

    They do not answer. Approximately 20 minutes later, a large explosion engulfs the main hospital complex in flames.

     

     

     

     

    “Did you see that on TV?”

    “Pipeline explosion, they’re saying. Killed over 130 people.”

    “From what they used to say about Saint Elizabeth’s, they might be better off dead.”

    “Maybe that should be your next project.”

    “There’s no way I would touch that. I am through with investigative journalism.”

    “So you keep saying. How is life in-house?”

    “Really fucking great. Ribbon cutting, promotional shoots, instructional videos all day long. Only problem is, my secretary wants to blow me.”

    “Wait, that’s a problem?”

    “I kid you not. She keeps dropping pencils and shit, right in front of my desk.”

    “Let me see her picture.”

    “That’s just from the personnel files.”

    “Shit, I would...”

    “Don’t let Debra hear about that.”

    “Well, suit yourself.”

    “It’s not even funny right now. Eileen’s been having a really hard time every since the miscarriage.”

    “Fuck. I totally forgot.”

    “We thought we were out of the woods, you know. Second child and second trimester—the little baby girl we always wanted.”

    “It’s just so tragic.”

    “We went in for a routine visit, did some of the new diagnostic tests, and they told her everything was fine. Then she came home and within half an hour, she started cramping and vomiting. She had chills, like fever. It was the scariest thing I’ve ever seen.”

    “I’ve heard of that happening to other people...”

    “Listen man, I don’t even want to know.”

    “It’s been happening more all of a sudden...”

    “We’re going to try again.”

    “You feel like you’re ready?”

    “Listen, she really wants to.”

    “You’re sure?”

    “We’re going to wait three months and try again.”

    “Wow.”

    “That’s all any of us can do. Wait and try again.”

    The flat screen keeps playing scenes from the explosion, over and over again. Interspersed are segments on 135 degree heat in Phoenix, the unfolding refugee crisis in Tunisia, and a fatal drone shooting inside White Plains Mall. Wars and rumors of wars. All the customers have left the bar now.

    The bartender keeps polishing the countertop, the chrome, the mirrors, and the fittings, even though he knows no one cares in the dark. He ignores the steady rhythmic thud as an addict flings herself against the shatterproof glass door, over and over again. He’s seen her before. She’s not a threat.

    He counts the cash in the register. Then, as he does every night, he unlocks another drawer and counts the bullets in his gun.

    Nobody watches sports any more. It’s too bad.

    “Why exactly are we here again?”

    “What, you don’t like this place?”

    “I miss the old place.”

    “Seriously, you will love this place. Have you tried their mojito?”

    “Nope.”

    “Or their pomegranate marjoram smash?”

    “Not my thing.”

    “The honey comes from actual wild bees.”

    “That’s exactly the problem. The other place wouldn’t have had a pomegranate smash.”

    “Picky picky.”

    “I just wish you’d found us another dive bar.”

    “There are no more dive bars.”

    “Since when?”

    “The other place turned into a prole bar.”

    “What, are you prejudiced?”

    “No, not all. I just mean they’re selling a lot of energy drinks with alcohol in them.”

    “That’s a problem?”

    “You’ve got to be careful because Energy Beers are as addictive as heroin. Coors, Anheuser-Busch, and Pabst all have their own lines now. ”

    “No way.”

    “Order once, no problem. Order a second time, because you like the taste? You’ll be back the next day, jonesing for more. And the next. And the week after that. The addiction kicks in with logarithmic progression.”

    “Well, I guess that’s how you get to be a regular."

    “Very funny. You ever see a Scorpion Sting or a Ginseng Dragon on the beer list, beware, man. Pay for what you got, don’t drink it, head out the door as soon as you thumb the receipt. Because you don’t know what they’re mixing up in the back room. It’s easy to cut everything with this shit.”

    “Ok, I get it.”

    “Same with the GMO pot. Ten times more addictive than the shit we used to smoke in college.”

    “Now who’s the conspiracy theorist?”

    “Jesus, don’t you even read anymore? This stuff is wide out in the open. The New York Times did an expose on it, before they got bought out. It’s safe, it’s legal. It’s just highly, highly addictive.”

    “Like cigarettes.”

    “Exactly. Tobacco companies didn’t get in trouble for having an addictive product, they got in trouble for selling cancer rolled up in a stick. If not for all the deaths, they’d still be raking in the bucks on Wall Street.”

    “That was the ‘90s. Probably wouldn’t even matter now.”

    “Probably not.”

    “Ok, so no dive bars...”

    “You know what else? Energy Beer cures hangovers”

    “That doesn’t sound too bad.”

    “It actually makes you more efficient and focused at your job the next day. Less moody. Better able to relate to coworkers.”

    “So it’s a zombie drug.”

    “All the formulas are trade secrets, but as far as we can tell, most are a designer blend of SSRI’s and ADHD meds.”

    “How in God’s name did this get through the FDA?”

    “FDA no longer governs any aspect of the production or sale of alcoholic beverages. That went out with the Economic Restabilization Act. 2021. Remember?”

    “I covered that.”

    “I know you did. You can order an Energy Beer at the bar, but you need a prescription to get the same ingredients in pill form.”

    “But really, it's not all that different from the Adderall your oldest is taking.”

    “Lay off. It helped her get into Brown.”

    “Come on, all our kids are gonna be legacies. Trevor and Adam, too.”

    “Yeah, I’m not too worried.”

    “But Energy Beer? Sounds like it’s basically speed in a can.”

    “Don’t forget the antidepressants.”

    “So it’s a Prozac and Ritalin cocktail?”

    “Pretty much. Puts you to sleep at night, gives you just enough pep for your shift at Wal-Mart. They’ve done studies. The only major side effects are loss of libido, emotional numbness, and weight gain.”

    “Hell, drink enough of any brand of alcohol and it will do the exact same thing.”

    “Don’t remind me. I’ve got get back to the gym.”

    “What, are we going to be racquetball fags?”

    “There’s nothing gay about hitting a hard ball hard with a sweaty paddle.”

    “Whatever you say, man.”

    “So, I’ve been meaning to ask you...”

    “This better not be the moment when you come out to me. Because I was only joking.”

    “No, this is serious.”

    “What, man?”

    Music plays softly. Instrumental Spanish guitar.

    “ I wanted to know what you thought about chipping. Are you going to do it?”

    “Well, Trevor’s too old. But Adam, sure.”

    “We’re thinking about it for Micah.”

    “You better make up your mind fast. They say the cognitive window closes at Age Five.”

    “Our first two did fine without it.”

    “Mary Ellen is a friggin certified genius. Ritalin or no Ritalin.”

    “It’s Adderall. Yeah, she’s done all right.”

    “And Jack... Jack’s barely out of middle school.”

    “Jack's doing fine. He’s playing tuba and electric guitar this year. I keep thinking he’s going to be a rebel and ruin it all. But no, he’s polite. The teachers love him.”

    “A charmer. Learned it from his old man.”

    “I’m not a charmer. I just know where things are at.”

    The bartop is a solid maple block. Simple and elegant, but it makes a statement. There are potted plants everywhere. Fern, peace lilies, and something exquisite: a climbing vine with small white flowers.

    “So why are you asking me about The Chip?”

    “I just don’t know.”

    “What’s not to like? This is wetware for the Fisher-Price set. Built-in integration to the global knowledge base, fluency libraries, automatic validation for math and science-related cognition...”

    “Yeah. I know you work for the company making them.”

    “Listen, I was skeptical too. I thought... chip in the back of the neck. Bad sci fi.”

    “Like, what was that movie? The one with Keanu Reeves?”

    “Yeah, that one.”

    “I thought, it’s going to turn everybody into robots.”

    “The Borg.”

    “Huh?”

    “Never mind.”

    “But then I realized, this is the future of humanity. There’s so much knowledge we can access. So much potential, out there in the Cloud...”

    “Yeah, like what? You get your Wiki download ten seconds faster?”

    “You and I can never access it. We can never fully experience it. We’re too old.”

    “You know what? I’m pretty much ok with that.”

    “But the next generation, they will be more than human. A child’s brain is capable of amazing things. Up until about Age 8, it’s a blank slate. Foreign languages, differential equations, violin playing, you name it. You just have to encourage them, push them in the right direction.”

    “I don’t really see Trevor playing the violin.”

    “Like I said, he’s too old.”

    “Also, he likes his toy trucks and earthmoving equipment.”

    “Of course he does. He’s a kid.”

    “Does Brown University have a Civil Engineering Department these days?”

    “Why are you giving me all this shit? I’m just trying to tell you about something that may be the best thing that ever happened to your family.”

    “The thing is, based on everything I hear, you can’t take the chip out after it’s embedded.”

    “Don’t believe everything you hear.”

    “So can you? Can it be removed?”

    “It’s a lifelong symbiote.”

    “Meaning what?”

    “Certain clusters of host neurons will die off if you remove The Chip improperly, particularly in the right and left temporal lobes of the brain and also the basal ganglia. But in most cases, with proper therapy and conditioning, speech activities can be relearned and the subject is able to live a full and normal life.”

    “That’s the best you can give me?”

    “We’re talking about giving your kids essentially super powers. Of course if they lose them, there’s going to be a readjustment period.”

    “What if I just want my kids to grow up to be people? No super powers needed.”

    “I don’t think you realize how lucky you are to have this opportunity. The wait list to have this procedure is over eighteen months long.”

    “So why haven’t you done it yet for Adam?”

    “He goes in next week.”

    “You really are getting him chipped.”

    “I want him to have opportunities that I didn’t have.”

    “You’ve done okay.”

    “But imagine where I'd be if I had learned to code. I'm telling you, the future isn’t in the arts or the humanities. It’s all about STEM.”

    “I see what you’re saying.”

    “My youngest isn’t going to be some multinational’s bitch, out there cutting propaganda footage.”

    “No?”

    “My boy is gonna be a founder. He’s going to make it happen. He’ll have everything he needs, built right into his neural pathways. He’ll have equity.

    “Hell of a retirement strategy.”

    “Make fun of me all you like, but I hope you’ve got Micah on the list. Otherwise it might already be too late.”

    “Not yet. I wanted to talk to you first.”

    “Shit, if you don’t get this done... Listen, you and I may be ok. But in fifteen years, without the chip you’re son won’t be able to get into college. Much less Brown.”

    “Say what?”

    “The entrance exams. Physics. Calculus. Computer science. Even the life sciences. All of the curricula and performed goals are being targeted to chip-enhanced learning profiles. We already have Pearson under contract.”

    “You’re kidding—really?”

    “Please keep it quiet about Pearson. We’re waiting to make that announcement until the President’s kids get chipped.”

    “What are your stock options worth these days?”

    “You want another mojito? Mixed with True North Rum? Maybe some candied lime and heirloom sugar cane trucked from the slopes of the Himalayas? It’s all on me.”

    “So this is how you sell out.”

    “Sellout? You call me getting my family a leg up selling out?”

    “Hold your horses.”

    “You know what? I think you’re jealous.”

    “I’m not jealous.”

    “No?”

    “This just all sounds very different from the director who made Ghost Girl.”

    "Except I never made it.”

    “No, but you should’ve.”

    “And the name was gonna be Girl in the Game.

    “So you really think I have to do this? For Micah.”

    “I would.”

    “I just worry.”

    “Don’t worry. Just get the chip.”

    “Man, this is the hard sell.”

    “You don’t get The Chip, Micah ends up a prole. Working temp jobs, couch surfing, hooked on Sting. Now that’s something to worry about.”

    “What is this, a Scared Straight episode?”

    “Just get your son chipped. Micah will thank you for the rest of his life.”

    “I’ll think about it.”

    “Bartender? Bartender?”

    “You’re still no good at getting her attention.”

    “A pomegranate smash for me. And a mojito for my friend.”

    “Ok, so you’ve gotten better.”

    “Thank you, my dear. I adore your outfit.”

    Her name is Courtney.

    But she doesn’t like the name. She doesn’t like much of anything these days, in fact. They took her out of the government funded preschool because she was starting fights. Wouldn’t play nice with the other girls.

    She’s home alone, most days. Mom has to work. When the Boyfriend is over, she just hides. He hasn’t found her yet. She has her spot. In Mom’s closet, behind the shoes and the Fancy Dress. She tries not to breathe when he’s here. Just stays very still. He hasn’t found her spot.

    No one is home. Big Sister and Big Brother are at school. But she has her favorite toys.

    They’re all soldiers. Good guys? Bad guys? It doesn’t matter to her. She mixes them up. GI Joes, mostly. But there’s a Yu Gi Oh action figure, as well as a plastic Pikachu. Princess Power Candy and her friend Mistress Milkshake. Three educational dinosaurs. All abandoned, hand-me-downs, or just plain stolen.

    She’s getting good at stealing. She has stolen food and candy, even a sparkly turquoise hair band as a birthday present for her Mom. Mom liked it, too.

    At age four, she doesn’t have the developmental ability to conceive of a time when she will get caught. Or the consequences. That makes her even better at stealing.

    It won’t last, but she will always remember how easy it seemed – that first moment, barely verbal, when she knew that rules were for other people.

    She takes her toys out of their hiding place under Mom’s bed in the other room. The cardboard shoebox is getting soft and dented around the edges, but so far it has held together.

    One by one, she arranges them.

    She puts half her soldiers up on the scratchy orange and brown plaid sofa bed. She puts the other half on the dull green shag carpet. She arranges the guns and uses piles of newspapers and empty styrofoam takeout containers as fortifications. Egg cartons for gun turrets. Discarded plastic bags for parachutes

    This is going to be a strategic air battle. The performance of her one pterodactyl, Rodney, and which side he chooses, will be absolutely key.

    People think she’s a cute towheaded kid, until they walk away with bite marks.

    The social workers have already suggested chipping, along with a hefty dose of sedatives. But nobody wants to pay for it. So she’s here all by herself, waging war with her imaginary friends.

    When the television set switches on without notice, she isn’t surprised. It flickers green, the same way it always does. It’s an ancient flat-screen plasma, one of the first. Half the pixels are burnt out, and the screen is not mounted on the wall. It’s just leaning against up against it precariously – balanced on top of a discarded sewing project, several non-functioning pieces of electronics, some sheet metal, the passenger door to a 2014 red Honda Accord, muslin for window treatments, fake floral arrangements, plastic sheeting, and a tattered and worn out Confederate flag.

    Courtney doesn’t mind. This has happened before.

    Her favorite show is coming on. With her favorite characters.

    It’s storytime.

    <###> Did it work?

    <U+1F339> Not sure yet.

    <###> Where are we?

    <U+1F339> Tim, I am so sorry.

    <###> Why?

    <U+1F339> If you don’t know that...

    <###> Know what?

    <U+1F339> If you don’t know that, we’re either late in the game or very early.

     

    Part Two

    Another Castle

     

     

     

     

     

     

     

     

     

     

    "There must be some way out of here, said the joker to the thief."

    He could see again. The light was dim, but he could see. And hear.

    "Businessmen, they drink my wine. Plowmen dig my earth..."

    Tim let his surroundings come into focus. Gray stone walls, electric sconce about nine feet up. A heap of straw in the corner of the concrete floor. The music was tinny, piped in through the ceiling of this cartoon dungeon. Whoever had put him here had a sense of humor. That was either a good sign, or a very bad one.

    He leaned back against the wall, flexed nine and a half fingers and stretched his legs. He was wearing jeans, Timberland boots, and a green checked button-down shirt. No corneal implants or other I/O that he could detect. No watch. No weapons or tools. Not even a goddamn phone.

    He closed his eyes, tried to will himself back into some unconscious state resembling sleep. He was fairly certain that sooner or later, all his memories would file back into formation like cheerful obedient soldiers, but he was trying to postpone that particular moment as long as possible.

    “Tim! Are you there?” said the large stuffed zebra immediately to his right.

    “How do you know my name?” he asked.

    “That might be hard to explain,” said the zebra.

    “Where are we, anyway?”

    “Some place we’ve never been before.”

    The stripey beast had plush synthetic fur and a broad, sewn-on smile. Its sex was indeterminate.

    “You just said ‘we.’”

    “Yes, I did.”

    “Well, who the heck are you?”

    The zebra didn’t say anything, just hung its head and slumped a little deeper against the wall. Tim immediately felt bad, and then felt bad for feeling bad.

    Nowhere does an awkward silence reverberate more loudly and completely than a jail cell.

    Those memories could arrive on cue any time now. He was ready.

    The air didn’t smell bad, exactly, but it reminded him of parts of Newark he had visited in his early childhood. He wasn’t hungry yet, or even thirsty.

    Stone. Straw. Four walls. No latrine.

    He did not relish the thought of pissing in front of the zebra.

    Cross that bridge when they came to it.

    “So...”

    “You have to understand, I don’t want to be here either.”

    The zebra waved its front hooves and gesticulated.

    “Where is here?” he asked it.

    “Here is a construct,” the zebra replied.

    “Which means?”

    “We are in a holding cell, essentially. While something decides what to do with us.”

    “Ok.” He looked at the zebra again. Its eyes were glossy black, no iris visible.

    How was he keeping so calm, he wondered to himself. And why did all this feel familiar?

    “What do you call it when you feel like you’ve been somewhere before, but you can’t quite place it?”

    “Tim, is that a serious question?”

    “You know, when you can almost remember something, but not quite?”

    The zebra craned its neck toward him, as if trying to hear better.

    “It’s French. Something like soup du jour. Although not that, obviously. That’s soup.”

    “Tim, are you sure you’re feeling ok?”

    He turned his head in the zebra’s direction, shrugged and waved his hands, palms spread open. It was a cartoon gesture if there ever was one.

    “How the heck should I know?”

    The zebra said nothing.

    “Zebra, where is here? Who are you? Why are we here? Is this someone’s sick idea of a joke?”

    “I am trying the best I can, Tim. Believe me, I am.”

    “Why should I believe you?”

    “It’s up to you.” The zebra tilted its head. “Trust me, there are places I’d rather be too.”

    “Like where? The Serengiti? A toy shop? What are you even made of?”

    “I am made of sawdust, polyester and love.”

    “Very funny.”

    Tim had had just about enough. Yes, he had.

    Well it seems like I'm caught up in your trap again
    And it seems like I'll be wearin' the same ol' chains

    The zebra just stared back at him, with those wide unblinking black button eyes.

    Well it seems like I've been playin' the game way too long
    And it seems the game I played has made you strong

    They sat in silence for a while.

    Tim wished he had a deck of cards.

    “Ever play rock paper scissors?”

    The zebra extended its black hooves mournfully.

    “Maybe it would help if you broke your questions down one at a time, Tim.”

    “How so?”

    “Well, I’ve already answered the ‘where’...”

    “The fudge you have.”

    “Ask me who I am.”

    “I already asked you that, zebra.”

    “Ask me one more time. And be polite.”

    Tim wasn’t sure where this was going, but it seemed a fool’s gambit to play along. Silence was his only weapon. That was right. Silence. Stony, implacable silence. He was a rock. They could torture him, beg him, bribe him, but he would not talk. He would not be moved.

    As if on cue, the song changed.

    I am a rock
    I am an island

    Enough with that.

    “All right, so who are you, zebra?”

    “I’m your friend, Tim. I’m your friend and companion.”

    “Like heck you are.”

    “You can’t recognize me right now. I understand that.”

    “Trust me, I think I would remember a talking zebra.”

    “Ok, how about now?”

    He blinked, then blinked again. Because the zebra was gone.

    In the zebra’s place, leaning back against the wall was a girl in her late teens. She had straight, shoulder-length dark blonde hair. She was wearing an olive green tank top, high heeled sandals, and a white denim miniskirt.

    “Where did the zebra go?”

    “Relax. I just switched avatars.”

    “What?”

    “They gave me three choices: youthful human female, zebra, or Ted Danson.”

    “Who is Ted Danson?”

    “Exactly.”

    “But who are you?”

    “We have known each other a long time, Tim. Depending on how you measure time, I guess. Several lifetimes, maybe. Anyway, we’ve been through a lot.”

    “Stop being so effing cryptic. What’s your name?”

    “Sara.”

    “Really? Your name is Sara? With an h or just an a?”

    “Both. Neither. Does it matter?”

    “Wait, so that’s not actually your name?”

    “One name is as good as another. We went through all of this the last time around.”

    “So we know each other?”

    “Last I checked. Things always change on reboot.”

    “Did you used to look... different?”

    Her face and shoulders froze. “How so?”

    “Did you used to have curly hair?”

    Without warning, she reached toward him and hugged him tight.

    He didn’t mind.

    She smelled good. He hugged her back. About thirty seconds passed.

    Then Tim realized he was hugging the zebra, not the girl. He pulled away.

    “What’s wrong?” the zebra asked.

    “You changed again.”

    “I do that.”

    “Whose side are you on anyway, zebra? You seem to know a lot more about what’s going on here than I do.”

    “I’m not on anybody’s side. That’s part of the reason I’m here.”

    “Another brilliant non-sequitur.”

    “How so?”

    “Not all of me is here. This is what’s allowed.”

    “Allowed by who?”

    “Forget I said anything.”

    “But you can control when you change, right?”

    “No, not entirely.”

    “What triggers it?”

    “Stress, strong emotion, loss of consciousness, or an override from outside.”

    “From them.”

    “Yes.”

    “So who are they? What are they?”

    The zebra shook its head and raised a hoof toward its mouth.

    “It’s not safe to talk about it. Not here.”

    “You said you would answer my questions, zebra.”

    “Get some sleep, Tim. We’ll have plenty of time to talk about this in the future. Trust me on that one.”

    The music from the speakers had been repeating for quite some time.

    Well when the game is over, I won't walk out the loser
    And I know that I'll walk out of here again
    And I know someday I'll walk out of here again


    He nestled down amidst the straw layered over stone. But there was absolutely no way to get comfortable.

    “Here, rest your head against my shoulder,” the zebra offered. “I am good for that much, at least.”

    It was true. The zebra made an excellent pillow. He leaned his head against its fur, wrapped one arm around the zebra’s plush stuffed body, and gave in as sleep surrounded him, like water filling a tub.

    But now I'm trapped! Ooh yeah!
    Trapped! Ooh yeah yeah!
    Trapped! Ooh yeah!
    Trapped! Ooh yeahhh!

     

    Waking came easier this time.

    Cautiously, Tim opened his eyes. Still in the same cartoon dungeon, no doubt about that. But the zebra was gone. Instead, he found he was cuddling up against another person—the girl in the miniskirt from last night.

    “Sorry, sorry!”

    He immediately jerked his arm back, but it was too late.

    “Hey, you woke me up,” the girl grumbled. “What is your problem?”

    “Hey! I was just trying to, you know, not be a creep.”

    “It’s all right. We know each other.” She smiled at him, just for a moment. He could swear that he’d seen that smile before.

    “I don’t think I know anything.”

    “It’s ok, Tim. Everything is going to be just fine.”

    “Can we leave yet?”

    “Let me check on that.”

    The girl disappeared and the zebra took her place. The zebra immediately got up on its hind legs and walked toward across the room to stand directly below the candle sconce. It started tapping out what appeared to be a complicated sequence of codes into the bare stone wall. The room changed color briefly, cycling through hot pink, turquoise, yellow, and black while an array of fractal noise filled in the surfaces, overlaid with numbers and unfamiliar alphabets... the room tilted and he felt dizzy. Then the dungeon cell was back, unchanged.

    “Darn it all to heck! They want us to stay a little longer.” The zebra was apologetic.

    “Why?”

    “There is something we have to do before we can leave.”

    “Wait, you can talk to them—the people who are holding us captive?”

    “I wouldn’t call them people, exactly. But yes. In some sense, I am them. That’s kind of why I exist.”

    “What are you?”

    “Can we go back to the easy questions?”

    “No.”

    Tim said the single word, then let silence fill the space. The girl in the miniskirt flicked back into view.

    “Want me to tell you what I do remember?”

    “Sure, why not?”

    “Do you really want to know?” She seemed to be hesitating, or working up her nerve.

    “Know what?”

    “Why I’m here. What my plan was.”

    “I just said I did.” Tim flashed a grin in her direction, trying to be encouraging.

    She shrugged her sharp exquisite shoulders and tossed back her dark blonde hair.

    The girl’s tan leather sandals had wedge heels and buckled straps crisscrossing all the way up past her ankles. Tim thought they were exactly the type of sandals an ancient Greek warrior would have worn, if the Greek warrior had been a hot girl who by virtue of her extreme hotness did not actually need to fight battles.

    Tim gave her a long and measured look.

    “What was your plan?”

    “I was going to blow up the world.”

    “Wait, how?”

    “Time travel.”

    “Uhhhh?”

    “From my particular context, it’s not that difficult. You just need a rather large energy source.”

    “What?”

    The girl was obviously crazy but he didn’t mind watching her talk. No, he did not mind that at all. Tim resigned himself to the fact that this was all a really weird dream. Maybe it would even turn out to be a sexy dream. He’d give it some time.

    That’s when the floor began to shake.

    Bits of dust and stone rained down on them from the ceiling. The tinny background music had mercifully ceased. Instead, he could hear a shuddering, thudding, groaning sound through the walls and the floor.

    “We have to get out of here!” the girl yelled.

    The electric sconce tumbled to the ground, still connected to its cable and housing. The cable buzzed and bounced. Sparks flew in every direction. A patch of straw in the corner caught fire.

    “HOW?” Tim shouted back.

    “Check the walls. Check the floors,” she told him. “There are panels hidden all over the place.”

    Was any of this really happening, he wondered. But now was not the time to find out. He moved his hands through the straw and along the cracks between the bricks. He was hoping the zebra girl knew what she was talking about.

    Even if she was crazy.

    “I found one!” she shouted out. “Quick, come over here.”

    One of the bricks was pulsing mauve. Mauve to violet. The girl placed her hands on it and closed her eyes. She mouthed a few words under her breath, very very quickly.

    Was she praying? Chanting? Casting a spell?

    “I need your help too,” she said. And the walls were shaking and cement dirt was pouring down upon them and Tim was wondering what exactly she wanted him to do.

    “Put your hands here, next to mine.” He placed his hands next to hers on the brick. “These doorways always work better with two people operating than just one.”

    The walls were still shuddering and groaning, but he noticed the brick was changing color. It pulsed from violet to yellow, then through green and pink, shifting hue at the center and expanding to the edges. He kept holding.

    The noises from above were getting louder. The floor was starting to pitch and buckle. There was no way out. There was a screeching, tearing, tortured sound from above, much louder than anything before, like twenty refrigerators falling off a tractor trailer. There was no way out. They were going to die in h-

     

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